Thursday, March 7, 2013

Artist Spotlight: AYARI KANEZASHI

Spending time with Ayari Kanezashi is like hanging out with a super-cute, high energy anime character. I have never been to a show where she hasn't been dancing the entire night as if she were the only person in the room. She possesses a contagious open-minded excitement and a wide-eyed amusement for life, and it's this energy that is translated into all of her creative outputs. Ayari will have her first solo opening aptly titled 27+.{my way is my way is my way}. next Tuesday night, March 12th at the Tin Can.

Magic Brotherhood: Ayari, you're a pretty cool lady, where are you from? How did you end up here in San Diego?
Ayari: Ahaha. thank you. I grew up in this super chill town Shizuoka in Japan as a baby of 5 siblings . When I was 18, as soon as I graduated from Shizuoka Nishi high school as a little brat not knowing what the heck is happening outside of my world, I left my family and Japan and started my journey to America. I am very lucky that I have my father as a supporter of my decisions.

MB: Have you always been a painter or creator of art?
A: I always loved drawing, but I actually never liked painting. I always thought I sucked at it. But when I started to really enjoy my own life and experience other people's journeys, it kind of  just happened. I started to paint at home while Mike (my boyfriend at the time and now current husband) was jamming with his friend Clay in our bedroom, and I just kinda jammed with my paintings while they played music. Since then I haven't really stopped.

MB: In your recent work, there seem to be references to surrealism, but there is also something organic about the structure and process of your paintings. Can you tell us a little bit about your work? What inspires it?
A: Definitely, meeting somebody inspirational inspires me a lot. I love sharing experiences with other people by dancing, listening, singing, playing and laughing!! I paint in the way I experience my life. I go out and see other people do fun stuff and something unexpected happens and we deal with it and... and we keep going with our lives, just like that. Process matters more than where I am going. I enjoy working on multiple paintings and drawings at the same time (I know you do too), because that way I can keep finding new elements that I didn't even know existed and expand more on them. At least on painting, I can come back to it and make a direct change again and again if I want to; like making memories and histories of my own. I guess that's why I can't stop painting. Too fun.

MB: What sorts of things influence you creatively?
A: So going to local music and art shows influences my art a lot, of course. I live in this house, it's almost like a community house, with a bunch of awesome musicians and artists. So creativity is such a norm around here. And so many our friends visit us to jam or paint, so the inspiration never ends. Definitely the best environment for me to keep creating. Sometimes we have too much fun and get little distracted by that, but it's all about balance. I'm learning that everyday, haha.

MB: Can you describe your creative process a little bit for us? Do you usually have an overall concept in mind when you are first starting a painting?
A: It depends. I believe getting inspiration from day to day life is the first step, and that's the only step I've got. I prefer not having any exact plans usually. After that, I create the space all settled on a canvas and dive into my thoughts. Sometimes I have a very clear idea or vision already, so i just try to recreate that. But that's a rare case. I enjoy that I can feel what happens in that moment and work with that.

MB: What can you tell us about your upcoming show March 12th at the Tin Can?
A: 27+. {My way is my way is my way}. is the title. Believe me, I'm not that pushy, haha. But this is where I am at. "Trying to find my way, starting to know where I am at, oh wow I enjoy it, I will keep doing this!" This show is my first solo art show in San Diego. we have an awesome music jam session with Brian Ellis Group and friends. Which I will dance hard with till the last call:). Also, Balloons is gonna DJ. It's gonna be really fun. I am really excited to see all of my friends and people at the show and I am very excited to see you again. Thank you for the awesome interview:)! It's so awesome that I get to enjoy our 'beat generation' with you.













Friday, March 1, 2013

Art Events: March 9th - 12th




Fun Magic Brotherhood weekend, don't miss it!

Sunday, February 24, 2013

Habitat House Show, Saturday March 9th

My dear friend Shoko Hachiya and I are pairing up with fellow artists Hugh Fernando Fierro and Keith Milgaten to show some of our latest work in a group show.
Shoko is so awesome that instead of making boring old posters to advertise this show she just made some rad stop animation videos. Check 'em out here.

Habitat House Show 3/9/13 (stop motion flyer #2) from Shoko Hachiya on Vimeo.

Habitat House Show 3/9/13 (stop motion flyer) from Shoko Hachiya on Vimeo.

HABITAT HOUSE
1008 21st ST.
SAN DIEGO, CA 92102
SATURDAY, MARCH 9TH
8 PM


FEATURING
PERFORMANCES BY Keith Sweaty, Mystery Cave, & Balloons
ARTWORK BY Shoko Hachiya, Danica Molenaar, Hugo Fernando Fierro,
& Keith Milgaten





HABITAT HOUSE
SHOKO'S WORDPRESS
danicamolenaar@gmail.com






Wednesday, February 6, 2013

Artist Spotlight: MARK FLOOD

[groin/face with girl], 1986
By all appearances it seems Mark Flood strongly dislikes most things; consumer culture, celebrities, "real" art, the "art world", mass culture, appearing at his own art openings (he has hired stand-ins to appear at all his openings for the past 20 years). Flood started making anti-consumer culture art in the 80's as well as playing in an experimental punk band aptly named Culturcide.
Just Say Drugs, 1993
International Postcard, 2009

UPDATE YOUR RESUME / BURGER KING, 2009


Over time his work has evolved from bawdy collages of disfigured celebrities and smut imagery, to crudely painted signs, billboards and public property, to his most recent "lace paintings". These delicate renderings of lace shrouds are by far his most restrained work yet, and what Flood describes as his transition from "hateful paintings" to "beautiful paintings". Nevertheless, Mark Flood will be the first to tell you that even though at 54 he is finally able to support himself solely from his artwork, there is still a little "hate".

ENJOY BLOOD, c. 2002
Cottonwoods, 2010
Earthly Delights, 2009





Photos courtesy of Peres Projects and Zach Feuer Gallery.





Tuesday, January 22, 2013

Artist Spotlight: PAUL REMUND aka LIGHT VISION


Paul Remund is a superbly introspective guy with a unique sensibility about his art practice. I suppose he might be what's know as a "multi-media artist", being that his work spans music, sound, sculpture, painting, woodworking, and performance. He's been an acquaintance for many years and I'm so bummed we are only just getting to know each other because he is about to move away to New York! :) :`(

February 12th is the night of his opening at the Tin Can and days later he will be in his new home New York, so come out and bid farewell and check out the performance piece and sounds brought to you by Light Vision.


Magic Brotherhood: I'm so excited to be collaborating with you on this show! Tell us about what Light Vision will be doing that night.
Paul Remund: In the last couple mouths I have gone through a lot of life change. Between all of these changes including a relationship end, an artistic collaboration end, quitting my job, a birthday, and planning a move to New York, I began to realize that my independence as a person was nonexistent. This performance will express this very thing through performance and sound.



MB: You were involved in a project called Cathedral X. What inspired that project?
PR: Cathedral X was a project that began with Amanda Schoepflin and Jessica Jeffrey. I joined after its birth and brought an element of sound art and instrumentalism. The project inspirations and concepts were formed to express the human self in its purest most intimate state.

MB: What inspires you?
PR: Inspirations are most always found after exhausting an idea or sound concept... I find that my inspirations come from present situations and relationships and expressing introspective feelings.




Listen to Light Vision on SoundCloud.
Check out Paul Remund's tumblr and also at Cargo Collective.
Like Light Vision on facebook.

Oh yeah, and come to the Tin Can Tuesday February 12th for the opening night of TRANSAGES and give Mr. Remund a proper good bye hug.



 

Friday, January 18, 2013

Photos from "Notes: Jenna Bogorad"


Panoramic of the whole show. 

Jenna and I putting together the show.

 Jenna and her mama.

Thomas Giglio performing his beautiful original music. 

Friends and family.

DJ Asha, so cute!














The show was so much fun, thank you to everyone who came out and saw this amazing body of work!
If you're interested about any of these pieces, feel free to email inquiries to jennabogorad@gmail.com.
All the artwork seen here and many many more are available for iPhone case covers as well!

Also would like to thank Thomas Giglio for his beautiful performance, DJs Patrick Heaney and Asha Fantasy for making the night tons o' fun, Doods Foods for making the dankest burgers in San Diego, and of course the Tin Can!!

See you next month, February 12th.
xoxo, Danica

Wednesday, December 26, 2012

Artist Spotlight: JENNA BOGORAD

I sat down with the lovely and prolific Jenna Bogorad the other night for some wine and bread and pickles (!), and we chatted about her work and upcoming show at the Tin Can Ale House Tuesday, January 8th.

MAGIC BROTHERHOOD: Jenna, your show at the Tin Can features a collection of 60 drawings on Post-it notes. This is only half the entire collection!! How did you get into drawing on a small scale?
JENNA: Well, I went to art school in Boston and after school I got a little burnt out and focused on other things... It got to a point that I was focusing on so many other things that I just didn't have time for art and fell out of the loop completely. I moved back to San Diego and wanted to do something I loved, so I started doing something artistic everyday... the only way to get into [making art] again and do something for myself was doodling on Post-its, since I work a big girl desk job.

MB: So this is a work pasttime?
J: Yes, and it is the perfect outlet for doing art everyday. In fact, the one to two hours a day I spend doodling at work is how I justify getting paid to do art!

MB: That's great. So in a way, this rekindled your love for art again?
J: Yeah, definitely. I wanted to make 100 of them, and didn't want to do it for anyone but myself. It was a means to get back in the swing of things. But you know, pouring out any weird emotions I had onto paper and sharing it [via facebook and tumblr] I got a really good reaction from people. There was one drawing I did early on that was a rainbow and it said "fucker" underneath. I posted it and everyone who saw it thought it was funny and I thought, I'm not the only crazy person that finds really stupid shit funny! Even though I feel kind of isolated in the way I feel about things I feel like we all generally feel the same way.




There you have it, folks. Come check out 60 of these incredible little drawings Tuesday January 8th at the Tin Can Ale House, 9 pm.
Follow Jenna on instagram @jbogo or tumblr @nevergetcold